Black Swan Records

 

Answers to Questions About New York

By MICHAEL POLLAK

Q. The liner notes for one of my albums mentions a Black Swan Records in New York. It sounds interesting. Could you tell me about the company?

A. Black Swan Records formally existed only from 1921 to its bankruptcy in 1923, but its cultural influence was profound. “By 1924, Black Swan was known not only as a pioneering black-owned business, but also as a radical experiment in black politics and culture,” David Suisman, a history professor at the University of Delaware, wrote in Humanities magazine last year.

The first major black-owned record company, it was founded by Harry H. Pace, a banking and insurance worker who had graduated valedictorian of his class at Atlanta University, where he became a disciple of one of his professors, W. E. B. Du Bois, the sociologist and founder of the N.A.A.C.P. Pace worked as the business manager of an early Du Bois journal of black ideas and culture. Later, in 1912, he met W. C. Handy, the “father of the blues,” in Memphis, and they formed the Pace & Handy Music Company, combining Pace’s business knowledge and Handy’s creative genius. In 1918, they moved Pace & Handy to the Gaiety Theater building on Broadway, which they promoted as the Home of the Blues and their company as the Leading Colored Music Publishers.

In early 1921, Pace struck out on his own, taking most of the office staff with him to found Pace Phonograph Company — its first office was in his home on West 138th Street — and starting Black Swan Records. It was aimed at recording black performers at a time when many big record companies would not. Pace’s goal was to challenge white stereotypes by recording not just comic and blues songs, but also sacred and operatic music and serious ballads. Du Bois was one of Black Swan’s directors.

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